At first glance, my most recent painting doesn’t appear to be surrealistic at all. Yet anyone who is at all familiar with the works of the Belgian surrealist, Rene Magritte would immediately recognize traces of his work.
The statue in the painting is a depiction of the character that shows up in many of Magritte’s paintings. The bowler hat theme appears more than 50 times in his work between 1926 and 1966, making it one of the motifs for which the Belgian Surrealist is best known. These abundant bowler-hatted gents were used as stand-ins for generic, bourgeois men, the sort who wouldn’t stand out.
“The bowler hat poses no surprise,” Magritte said in 1966. “It is a headdress that is not original. The man with the bowler is just a middle-class man in his anonymity. And I wear it. I am not eager to singularize myself.”
I have explored many of Magritte’s concepts and ideas in my own, peculiar style. I recently ran across a framer who worked in the art gallery where I had my first show and he said he walked into 1900 Park two years ago and immediately recognized my work. “Your style is unlike any other painter I’ve seen,” he told me.
Whether that’s true is highly debatable. I continue to try and paint the impossible – or at least the highly improbable. And traces of Magritte will continue to show up in my paintings.
When I heard that I was going to be featured in the Ladue News and that the featured painting would be “Memories of June” – another Magritte-based image, perhaps my subconscious propelled me to create this tribute painting to my favorite artist.
Maybe there is a touch of surrealism in depicting a man in a bowler hat, sitting on a bench, staring at a statue of a man in a bowler hat. The base of the statue features Magritte’s birth and death dates and the inscription is in Dutch and reads, “HERE STANDS THE MAN”.
Lions and owls showed up in many of Magritte’s paintings. So they got their own statues. Perhaps the one quality that puts this particular painting in the Surrealist column is the presence of Night and Day in the same setting.
Everything below the sky is painted in bright, daytime colors. Yet the sky, with its quarter moon above, is distinctly night time. That combination of Night and Day was another concept Magritte explored in several paintings.
So in answer to the question found in the headline, yes, this really is surrealism.
It was great fun to create, though quite tedious as it’s one of the more detailed paintings I’ve done. This particular painting may never find a home other than my own.
That’s okay. It was my tribute to Magritte. It is fitting that I should remain the owner.
Tom’s art can be viewed and purchased at two different websites: www.bloodlinesart.com and http://tom-blood.pixels.com – on the latter website, you can purchase prints as well as a variety of items like tote bags, pillow throws, iPhone covers and much more. Please visit!