Sneak preview of new music video featuring my artwork

 

A still from the opening frame of a new music video featuring my artwork.

A still from the opening frame of a new music video featuring my artwork.

I am both thrilled and excited to announce that my artwork is being used in the release of Liz Cirelli’s newest music video called, “Bridgetower“.

So who is Liz Cirelli and how exactly did it come about that she is using my artwork for one of her music videos?

Liz is a London recording artist. In her own words, “I fuse the worlds of classical and electronic music into intricate, hypnotic and melody-driven moods – with a pinch of pop accessibility. It’s a blend of electronica, downtempo, dream pop and contemporary classical.”

Bridgetower is one of eleven new tracks on her latest release called “Awakening“. And Awakening is her tenth release overall in a career that spans more than a decade. She is an accomplished artist with a large following across the pond.

In all honesty, I’m not sure how I first ran across Liz. I believe it was through an email. She’s a creativity consultant and being a creative person, I’m always in pursuit of new knowledge. I read one of her blog posts and liked it and received an invitation to join her mailing list.

It was there that she made the announcement of her new, upcoming album release. I decided to give it a listen and I liked it. In fact, I liked it enough that I downloaded a few tracks and was actually listening to them as I painted.

Music is always on when I paint. I have several artists that I listen to over and over when I’m painting as their music just seems to fit the mood of my surrealistic endeavors. Fleet Foxes, Radiohead and Grizzly Bear are my most listened to favorites.

But the music by Liz struck a chord with me. I reached out to her and told her that I enjoyed listening to her music while I painted and I sent her a few images of paintings that I had done.

That began an on-going correspondence between us. Liz said she loved my work. I loved her music. When she asked if I would be interested in having my paintings featured in one of her music videos I was instantly interested.

She asked me to send her more painting images so she could decide which track she wanted them to accompany and ultimately, selected “Bridgetower” which was a collaborative effort with another recording artist named Minski.

When she sent me the track, I asked Tom Jr. to help out with creating the video. Tom laid the groundwork for the video, assembling most of the images as you see them now. Liz and her video editor then took over, incorporating some of my newer paintings.

Yesterday, Liz launched the video to her followers on Patreon. Today, I’m letting my readers on this newsletter have the first look.

Next Friday, she will be announcing the video to her extended communityvia social media and I will be as well.

This is a huge step forward for me regarding exposure of my artwork to the world. I’ve been slowly building an audience on Instagram (please follow me if you don’t already!). I am approaching 30,000 views on my pixels website. I was recently invited to display my artwork on an international art website but that’s still in the approval mode so no links on that yet. And I’ll be ramping up for my solo show in June at the Renaissance Airport hotel.

I’ve been given a gift – a talent for creating art – it’s up to me to pursue it and keep trying to get better at what I do.

Sales are always welcome and someday, more will come. But for now, I will enjoy the fact that potentially hundreds of thousands of new people will get a chance to view what I do.

That’s pretty cool!

In addition to creating advertising and marketing for a wide range of clients, I also paint on the side. If you know anyone who you think might enjoy learning about my paintings and the stories behind them, please pass this along to them and invite them to sign up for my free newsletter.

Also, if my prices are keeping you from purchasing anything, know that you can order prints of my work, as well as get my artwork put onto a variety of items like iPhone covers, pillow throws, tote bags, greeting cards, coffee cups, shower curtains and a wide variety of other items by visiting my other website on Pixels. I also invite you to follow me on Instagram to see work in progress from start to finish!

#willyoureadthis #makeitrelevant #toomanyhashtags

If you're not using hashtags in your social media postings, you're not doing the job that you could be.

If you’re not using hashtags in your social media postings, you’re not doing the job that you could be.

I’ve never taken a course in social media marketing and I guess that’s extremely evident from the number of views I get with this blog.

Then again, when your number of postings dwindles from weekly to monthly to #onceinabluemoon (the name of one of my paintings) you basically deserve to lose a lot of your audience.

But 2019 marks a major crossroads for me. I need to ramp up new business efforts for BloodLines Creative and that’s going to require on-going communications, pushed out to a variety of different social media platforms. It’s also going to demand that I get a much stronger handle on social media marketing techniques.

Part of that begins with my use of hashtags.

I’ll be the first to admit that I have never embraced hashtags and really didn’t have much of a handle (pardon the play on words) on the value of using #hashtagsinsocialmedia – primarily on twitter and Instagram.

But I am learning and I’m seeking to learn more – which ultimately is going to benefit the clients I serve as well as my own self interests.

Here are some generic reasons for using hashtags:

  1. Hashtags simplify the process – Searching a hashtag pulls results for each post using that hashtag. Using a hashtag helps you reach your target audience, and likewise makes it easier for others to find your information.
  2. Hashtags compel an action – When a user sees a post that is of interest, they will likely spend time looking through content brought up by the hashtag.
  3. Hashtags evolve – Hashtags are being used by more and more platforms, impacting the amount of information put directly in front of social media users.
  4. Hashtags reward the distinctive – Hashtags make finding information easier for social media users. A unique hashtag makes your message stand out to the users who find the hashtag valuable.

I have recently experienced firsthand the value of using hashtags via my own instagram account promoting my art – #tomblood_art

A few weeks ago, I sat in on a webinar designed to help artists better market their work. Being a marketer myself, you would think I’d be a natural at promoting my artwork. Turns out, I could have been doing so much better – not just via hashtags but also via my use of key words to describe the paintings I’ve done on my two websites: http://tom-blood.pixels.com and https://bloodlinesart.com

What works for promoting art will also work for promoting my gifts as a talented #greatcopywriter as well as my skills as a #marketingcommunicationsspecialist

I learned that any time I make a post on Instagram, it should have a minimum of eight hashtags that are pertinent to the work I am featuring. How many is too many? I’m not sure but when your hashtags are twice as long as your message, it does seem a bit much.

Still, those hashtags are driving eyeballs to my Instagram account. In the past two weeks, my number of followers has increased dramatically and now continues to rise daily. And they’re beginning to draw even more eyeballs to the many clients I serve when I post information for them.

Yes, I’m a bit of an old dog. But I’m learning new tricks.

Developing great creative and compelling copy has always been a strong trait of mine. Now, it’s time to pound the # signal even more.

Want compelling copy and cut through creative with your advertising and marketing communications. Want it for a fraction of what you’d pay compared to if you hired a full-service agency? Call BloodLines Creative today. You’ll be glad you did.

#successfulresults #greatcreative #creativecopywriting #stlouiswriter #getresults

 

 

Where did the surrealism go?

Two men shake hands in a snowstorm, set against a canopy of trees.

Two men shake hands in a snowstorm, set against a canopy of trees.

Anyone who regularly follows my work knows that I love surrealism, and love to add surrealistic elements into almost all of my paintings.

“The Agreement” contains no surrealistic images. It’s just two men, shaking hands in a snowstorm set against a forest background. Though there are no surrealistic elements to this painting, it does raise several questions in the viewer’s mind.

“Who are these gentlemen and why are they shaking hands?” is a good place to start. The answer to those questions is entirely up to the viewer.

The idea for the painting (it was finished in late November) came about as a result of a snowstorm that we had well before Thanksgiving. Having only done one other painting featuring snow, I decided snow would be my subject matter and in this particular painting, I wanted it to actually be snowing.

That’s when I decided to have two men greeting each other out in the midst of a snowstorm, set against a canopy of trees. This isn’t a particularly large painting (30″ x 24″) so it didn’t take me too long to rough in the trees.

Creating the foreground, with a blanket of snow also went quite quickly with just a few gradations that helped give a sense of depth to the image. When it came time to paint the two men, I decided one of them should have a beard. I gave them both overcoats which could have come from a by-gone era.

When I was finished painting the two gentlemen, it seemed like the setting could be somewhere in Europe – kind of a cold war feel to it. Or maybe it was more like a painting from the Civil War. Simply naming the painting, “The Agreement” builds in its own story line.

When I began adding in the falling snow, I realized that the trees in the background didn’t require any more detail. After all, there’s a blizzard going on – nothing should be clearly defined.

So this painting was deemed done and I moved onto the next one which took me considerably more time.

I like the simplicity of this painting. I like its starkness. I like its story appeal.

I hope you do, too!

If you know someone else who might enjoy hearing more about my paintings, please invite them to sign up for my free newsletter at http://bloodlinesart.com/email-newsletter Also, if you’d like to purchase prints of my work or have my work printed on items like iPhone covers, tote bags, coffee cups, shower curtains or a wide range of other items, please visit http://tom-blood.pixels.com Thanks and I wish you a Merry Christmas and Happy New Year, too!

A painting like this comes around, “Once In A Blue Moon”

A girl on a beach holding a bouquet of flowers stares out at the moon ... which is actually a blue rose!

A girl on a beach holding a bouquet of flowers stares out at the moon … which is actually a blue rose!

As I look back on this painting, technique-wise I think it’s one of the finest ones I’ve done this year. It’s such an unusual painting – (especially for me) and I’m hoping that there’s built in-story appeal to the visual.
Previously, I had done a grand total of four paintings featuring females.
I’ve always thought of myself as something of a hack when it comes to painting or drawing females, going back to a drawing class I took at Mizzou where we had live female models. My drawings always did them a great disservice.
Yet I was excited about the prospects of painting this surrealistic image. The idea behind this one came from a variety of sources, as many of my paintings do. I was paging through one of my Rene Magritte books and ran across one of his coolest paintings called, “The Tomb of the Wrestlers”. It features a giant red rose, overwhelming an empty room. The rose is almost the height of the room itself, boxed in by two blank walls while the third wall features a window, draped by some red curtains. So I decided I wanted to do something with a rose. But what? I have no desire to copy Magritte, I merely like to emulate him.
So I kept searching. Many of my paintings have some water aspect to them and the sea at night seemed interesting. So I began searching for images of ocean scapes at night – which led me to several photos featuring the moon. That’s when it hit me – I would show a blue moon only in its place, I would feature a rose. I knew there were blue roses, just like there are blue moons.
Once I had that core idea in mind, I thought of having the man in the bowler hat staring out at the moon but that seemed slightly out of whack. So I decided it should be a young girl. Then I decided that not only should she be staring out at the blue moon, but she should be holding a bouquet of flowers in her hands as well.
Were they given to her? Were they from someone who had gone away on a voyage and left her behind?
My initial working title for the painting was “Flower Girl”.
When I was just about done, the name of the painting came to me in my sleep. “Once In A Blue Moon“.
The actual painting had its own challenges – trying to paint a glowing blue rose in the night and giving the entire painting a night time feel. I struggled with the sky and the reflection on the water. I added a few large rocks to the shore but at one point, there were considerably more. I painted over all of them, keeping just a few rocks, bleeding off the edges of the painting.
The young girl went through considerable changes and most, were for the better. I wanted her hands to be delicate and I wanted the bouquet of flowers to stand out. I was pretty happy with both as well as the multi-colors of her dress that echoed the color palette of the rest of the painting.
The size of this painting is 30″ x 40”. It’s quite striking when you see it up close and would look great in a frame and on someone’s wall.
You can order prints at my other web site: http://tom-blood.pixels.com
You can also order the image on a variety of items – tote bags look pretty cool, notebook covers, iPhone covers, even yoga mats.
It was a joy to paint, even though it had its moments … they all do!

In addition to creating advertising and marketing communications by day, I also paint by night and have established quite a following of the artwork I create. If you know someone who might enjoy reading more about my process and getting updates on what I’ve been up to, please invite them to sign up for my newsletter at http://tblood.faso.com/email-newsletter

No Exit – a play on words

No Exit is the title of this painting as well as the classic play by Jean Paul Sartre.

No Exit is the title of this painting as well as the classic play by Jean Paul Sartre.

Many people ask where I get my ideas to create new paintings and the explanation is – everywhere.
I often will peruse stock photography, looking for striking images. Pinterest is actually a great source of inspiration as I follow all sorts of art-related topics.
Recently, I ran across a photo which was so striking, I simply had to paint it and put my own spin on it. It was a photo very similar to what you see painted here, same basic set up, same kind of ugly color palette. The photo also contained an image of a man, hanging upside down, only he was facing the camera. I decided to replace that man with my man in the bowler hat, back to you, hanging upside down, hat still very much intact on his head.
There was something about the color scheme of this painting that reminded me of my grade school that had cinder block hallways that most times were painted about the same color as this newsletter. But for a brief period, they were this sickly kind of green you see reflected in the stairwell.
The harshness of the neon light was another thing I remember.
So this particular painting is more or less a recreation of a photograph, which, the moment I decided I was going to paint it, I knew the title of the painting had to be, “No Exit”.
Though the painting has little to do with the Jean Paul Sartre play, for some reason, the setting reminds me of a different kind of hell, where one is forever trapped in a building with no real exit and the world is literally turned upside down – which is actually how I painted the image of the man – with the canvas turned upside down.
The size of this painting gives it a dominance that immediately grabs your attention. It’s 36″ x 48″ and though I have no idea where this painting might ever actually hang, I do know that whoever might buy it would have a very striking image that would be sure to spark quite a few conversations.
We will see if this one ever manages to exit our home! Regardless, I like it simply because it is a strikingly weird visual.

Thanks for reading. You can view most of my recent paintings at https://bloodlinesart.com or you can purchase prints or items featuring my art at http://tom-blood.pixels.com If you or anyone else you know might enjoy reading about the art work I do and getting a behind-the-scenes look into my process, please  sign up for my newsletter at http://tblood.faso.com/email-newsletter … Happy November!

Is this surrealism? Thoughts behind “Somewhere in Belgium”

Night and day in the same setting gives this tribute painting to Rene Magritte a surrealistic feel.

Night and day in the same setting gives this tribute painting to Rene Magritte a surrealistic feel.

At first glance, my most recent painting doesn’t appear to be surrealistic at all. Yet anyone who is at all familiar with the works of the Belgian surrealist, Rene Magritte would immediately recognize traces of his work.

The statue in the painting is a depiction of the character that shows up in many of Magritte’s paintings. The bowler hat theme appears more than 50 times in his work between 1926 and 1966, making it one of the motifs for which the Belgian Surrealist is best known. These abundant bowler-hatted gents were used as stand-ins for generic, bourgeois men, the sort who wouldn’t stand out.

“The bowler hat poses no surprise,” Magritte said in 1966. “It is a headdress that is not original. The man with the bowler is just a middle-class man in his anonymity. And I wear it. I am not eager to singularize myself.”

I have explored many of Magritte’s concepts and ideas in my own, peculiar style. I recently ran across a framer who worked in the art gallery where I had my first show and he said he walked into 1900 Park two years ago and immediately recognized my work. “Your style is unlike any other painter I’ve seen,” he told me.

Whether that’s true is highly debatable. I continue to try and paint the impossible – or at least the highly improbable. And traces of Magritte will continue to show up in my paintings.

When I heard that I was going to be featured in the Ladue News and that the featured painting would be “Memories of June” – another Magritte-based image, perhaps my subconscious propelled me to create this tribute painting to my favorite artist.

Maybe there is a touch of surrealism in depicting a man in a bowler hat, sitting on a bench, staring at a statue of a man in a bowler hat. The base of the statue features Magritte’s birth and death dates and the inscription is in Dutch and reads, “HERE STANDS THE MAN”.

Lions and owls showed up in many of Magritte’s paintings. So they got their own statues. Perhaps the one quality that puts this particular painting in the Surrealist column is the presence of Night and Day in the same setting.

Everything below the sky is painted in bright, daytime colors. Yet the sky, with its quarter moon above, is distinctly night time. That combination of Night and Day was another concept Magritte explored in several paintings.

So in answer to the question found in the headline, yes, this really is surrealism.

It was great fun to create, though quite tedious as it’s one of the more detailed paintings I’ve done. This particular painting may never find a home other than my own.

That’s okay. It was my tribute to Magritte. It is fitting that I should remain the owner.

Tom’s art can be viewed and purchased at two different websites: www.bloodlinesart.com and http://tom-blood.pixels.com – on the latter website, you can purchase prints as well as a variety of items like tote bags, pillow throws, iPhone covers and much more. Please visit!

A little recognition and the quest to get better

A photo of the recent Art & Soul article that appeared in the September 7th edition of the Ladue News - a free weekly paper here in the metro St. Louis area.

A photo of the recent Art & Soul article that appeared in the September 7th edition of the Ladue News – a free weekly paper here in the metro St. Louis area.

This past weekend, I had the honor of being the featured artist in the Art & Soul column in the Ladue News – a free weekly circulation paper that goes out to about 22,000 people in the metro St. Louis area.
It was a fun article to read though I was a bit disappointed that the columnist got my website incorrect, leaving out the ‘s’ in bloodlinesart
Still, some publicity is always better than no publicity and having “Memories of June” be the featured work makes me happy as that particular painting is one of my recent favorites that I’ve done.
As 2018 continues to roll along with summer yielding to fall, I have been trying to create one painting a month – whether or not that sounds like a little or a lot, it’s been a lot for me as each painting takes me anywhere from about 40 to 60 hours to create and sometimes more as my most recent painting I just completed went well over that total.
My process is not a quick one. But I feel as if it’s something that I am continuing to fine tune and get better with each painting I undertake. I’ve become more demanding of my brush work. Yet I know I have so far to go.
I also feel as if I’ve only begun to touch the surface of true surrealism – and in the coming months and paintings, I hope to become even more symbolic and build in more mystery with each painting I create.
If you’ve never been to my fine artist website, I invite you to give it a look at www.bloodlinesart.com (with an ‘s’!) and if you’d ever like to buy prints or purchase my art on items like iPhone covers, pillow throws, tote bags, greeting cards or a variety of other items then please visit http://tom-blood.pixels.com
Thanks for coming along for the journey and stay tuned … there’s a lot more to come!

Looking forward to what’s next

Labor Day will be upon us in a few days and summer will soon be in our rear view mirror.

It’s been a great one in all regards – work, art and family, though not necessarily in that order since family is always first.

Though we didn’t have any extensive travels, we did celebrate a memorable weekend in Chicago attending a Cards-Cubs on my daughter’s 20th birthday and thoroughly enjoying ourselves as the Cards bashed the Cubs, 18-5. Once they reached their 14th run, we were really hoping they could post a 20-run tally but 18 was more than sufficient.

Our visit to Wrigley Field was extremely enjoyable.

Our visit to Wrigley Field was extremely enjoyable.

This was also our first summer in our new home and we finally christened it by hosting a  25th Anniversary celebration-Open House combo on perhaps the nicest day that July had to offer. Attending the PGA on three different days also was great fun.

Any time you can get this close to Tiger Woods, it's a good day!

Any time you can get this close to Tiger Woods, it’s a good day!

Work continues to roll along and it’s what’s on the horizon that has me excited. I continue to serve a few key accounts and there are some potential great new client relationships that hopefully will become reality over the course of the next few weeks. BloodLines Creative will be entering its 8th year in business and though I’m not creating an abundance of TV and radio commercials anymore, I still enjoy the creative challenge that each and every assignment brings.

One of a series of email reminders that go out to Ad Club members encouraging them to play in the upcoming Ad Club Fall Golf Classic.

One of a series of email reminders that go out to Ad Club members encouraging them to play in the upcoming Ad Club Fall Golf Classic.

It’s always the chance to do the best work you’ve ever done and a continual opportunity to learn something new every day. I love to create and I love to turn marketing challenges into opportunities. That will never grow old.

Painting has also been a joy this year. I continue to take on paintings that challenge my skill set and I feel as if I’m becoming better as a painter. I love to paint the impossible or at least the highly improbable. Though I continue to explore many of the same concepts as Magritte once did, I think I am developing my own, unique style.

A painting of a painting showing what you would see if the painting weren't there.

A painting of a painting showing what you would see if the painting weren’t there.

I am thrilled to have received more than 20,000 views on my Tom Blood fine artist website. I was honored to have recently sold four of my paintings to one of the largest collectors in the Midwest. And I am looking forward to some exciting coverage of my work and announcements about it that will be coming in a few short weeks.

I have been blessed in so many ways. Yet you never know what lurks around the corner. So I’ll end with this simple thought. Cherish your memories. Look forward to the future. But always live in the present. For what we do each day matters. Somehow, someway, each day, try and make a positive difference in someone’s life.

You’ll be glad you did.

Four of my paintings find a new home

Any time I sell a painting, I’m both amazed, happy and a bit sad, as well.
Sales of my paintings have never really been prolific – especially on my bloodlinesart.com website – in fact, my total sales to date have amounted to the null set.

But maybe that is beginning to change. A recent instagram post promoting my work on my website attracted hundreds of new followers. That was fun to watch.

Artsy_Shark has thousands of art-loving followers who recently saw this post promoting my painting work.

Artsy_Shark has thousands of art-loving followers who recently saw this post promoting my painting work.

The other day, I received an inquiry via my website from an art curator in New Mexico. It turns out a collector right here in St. Louis – who just so happens to be one of the largest collectors of modern art in the Midwest, visited my website, liked what he saw and asked about purchasing ten of my paintings.

Yes, ten!

I actually met this collector through a new business presentation I was attending and I told him about my art. I followed up with an email inviting him to take a look and lo and behold, he did.

For now, I have sold four paintings, each of which has its own unique story:

Agents Orange was done back in 1994. I still have some t-shirts featuring that painting that were sold as part of one of my Creative Gallery Shows. The original thought behind that was that instead of cacti in the desert, I would instead have men dressed in black. It has been hanging in the Blood household for many years. I hope it finds a good new place to hang!

Men take the place of cacti in a barren desert setting.

Men take the place of cacti in a barren desert setting.

Stairway to Heaven was a surprise purchase. It’s an odd painting and the men in black are somewhat cartoonish. Still, there’s something about the characters that has a storyline in it – it’s almost as if they’re resigned to beginning the climb. In one way or another, we’re all climbing, each day.

Men in black began a long ascent into who knows where.

Men in black began a long ascent into who knows where.

Bridge to Nowhere was a simplistic, minimalist thought that popped into my head one evening while I was sleeping. The painting that resulted is almost an exact replica of what I thought, right on down to the missing planks in the bridge. I am still working to become a better painter of clouds. To me, Magritte is the best painter of clouds I have ever seen. I continue to work on getting better at skies and believe that is happening – though in a different manner than Magritte portrayed them.

An old wooden bridge stretches from one cloud to another.

An old wooden bridge stretches from one cloud to another.

The Pier was a fun painting to create with the sky reflecting in the water. It’s always interesting when I take my man in his bowler hat and put him among the elements, oftentimes, dwarfed by all around him.

A man in a bowler hat sits at the end of a pier staring off into either the sunset or sunrise, waiting for what's next.

A man in a bowler hat sits at the end of a pier staring off into either the sunset or sunrise, waiting for what’s next.

The collector is interested in purchasing more. The curator, after viewing my website, is promoting it to a few of her other clients. Word is beginning to spread.

In the meantime, I will continue to try and get better with each new painting I undertake. I just unveiled my latest painting on my BloodLinesArt and http:tom-blood.pixels.website

Initial reaction has been very positive but I’ve already begun the next painting, trying to stay on a painting per month timeline. I am trying to do a better job of marketing my art. In the meantime, I have been ramping up new efforts for BloodLines Creative. I have been fortunate to continue to get new business without having to actively pursue too much. That is no way to run a business.

One must always be on the hunt, always in pursuit of what’s next. Sometimes, things do fall into your lap. But the old adage is true: the harder I try, the luckier I get.

Stay tuned, because there’s lots of new news on the horizon!

Portions of the above recently appeared in my bloodlinesart e-newsletter. I figured I might as well push out as a blog as well since readership of both my e-newsletter as well as this blog could use a few more eyeballs. Thanks for feasting yours on this piece!

A writer’s gotta write – part two

The other day, I picked up one of my three print portfolios, opened it up and took a look.

What a fun blast from the past, looking at print ads, outdoor boards, direct mail pieces and company image brochures that I’ve created through the years.

It got me thinking about how fortunate I’ve been to be able to continue to pursue my passion for creating advertising and marketing communications for such a wide and diverse array of clients.

I literally have hundreds of samples. So many, that I can no longer fit them into three different portfolios. So there are also boxes of print and collateral work, along with award programs, award certificates, DVDs of TV commercials and various videos, CDs of radio spots and other reminders that I sure have written a boatload of communications.

Over the past few months, I’ve had the opportunity to create work for some major brand names that just about everyone in St. Louis and a lot of the world has heard of before. Mix in work for some much smaller clients that are in a variety of industries, along with some pro bono work for a charitable organization that I’ve been involved with for a few years as well as creating the invite and reminders for the annual Ad Club Fall Golf Classic and it’s been a very enjoyable juggling act the past few months.Screenshot 2018-05-16 07.17.13The only thing that doesn’t keep growing is this blog. I’ve put it on the back shelf, along with updating my website with some more current work.

These days, you rarely get print samples – if you get to do any print work at all. So many things transpire in the digital world and I simply don’t bother to update my client list or work samples. Nor do I blog too much about the daily trials and tribulations I go through trying to get work, create work, and then get more work.

Most times, that process simply doesn’t seem interesting enough to merit any mention. The work always does a strong job of delivering the client’s brand personality in a compelling and very focused way and I really should promote it more. But I’m often hesitant to reveal current clients, fearing that some bigger agency will come in and try and swoop it up. And when the day is done and evening rolls around, most times, I’m done with writing for the day and much prefer pursuing my other passion – painting.

That needs its own separate marketing effort, further putting my blogging into a secondary or even tertiary role.

That’s why there simply isn’t a regular flow of blog articles coming out of BloodLines Creative. A writer’s gotta write. Unfortunately, most times, it simply isn’t for this blog.

Thanks for reading anyway!